While his college music courses focused on the technical and theoretical aspects of music, “playing music with Joe was more about the spirit-and the social nature of music.” Joe also called upon Charles to work up another skill that he would carry with him-bluegrass harmony singing.ĭrawn to a region saturated by traditional music, Maya began at the University of North Carolina-Asheville, but left after one restless semester. “When the bridge wasn’t out, it was only 4 or 5 miles to Joe’s house,” Charles remembers. In the midst of this classical music education, Charles found another musical outlet-a weekly bluegrass pick in the woodshed of a nearby horse farm. As he gained fluency on this large and versatile instrument, his passion and interest in music education heightened-culminating in a Music Education degree from West Chester University. Inspired by his bass-playing father, Charles started bass lessons in a public elementary school string program. The highlight of each year was the family's annual trip to West Virginia's Appalachian String Band Music Festival. And alongside public school violin lessons, she learned fiddle tunes from her father, who performed in several local bands. She took piano lessons with her grandmother, who was a gifted composer. She strummed three chords on a tiny guitar and sang Iris DeMent’s “Our Town”-a song in frequent rotation in the family car. Maya first performed during “show & tell” in kindergarten. Their repertoire of folk, bluegrass, and country tunes included many of his father’s original songs. Shortly after beginning classical violin lessons, Oliver began performing on the fiddle alongside his parents in the Craven Family Band. Their tangible passion for acoustic music is certainly a testament to three musically rich childhoods.
Reveling in the energy of each room, a connection to the audience is the essence of their show. “Music exists in a time and place, not just in a digital format,” says Charles. Grounded in the unshakeable groove of bassist Charles Muench, the trio landed their signature sound.Īn ambitious touring schedule reflects their embrace of the experience of live music.
A snowy Pennsylvania winter welcomed collaboration between the two creative flames- and inspired the collection of seven songs found on the Borderland EP. With miles of music already behind them, Maya de Vitry and Oliver Craven first shared a song in January 2010. Raised within a few miles of farmland from each other in Lancaster County, Pennsylvania, their flight began with friendship. From bustling street corners to silent halls, their performances speak to an uncompromising reverence for songs. It is a sound drawn from the richness of American folk music traditions, spun with a stirring subtlety and grace. When the band take the stage, the spotlight falls on three voices raised in harmony above the raw resonance of wood and strings.
QUICKSILVER HIGHWAY FULL
Read Full Bio The Stray Birds, an American folk band, started as a duo of acoustic buskers in early 2010 when Maya de Vitry and Oliver Craven (originally from Lancaster, Pennsylvania) met with their instruments, their voices, and their songs The following adaptations of Barker's Books of Blood stories are just a handful of Barker's overall oeuvre, but they remain prime examples of his darkly imaginative mind.The Stray Birds, an American folk band, started as a duo of acoustic buskers in early 2010 when Maya de Vitry and Oliver Craven (originally from Lancaster, Pennsylvania) met with their instruments, their voices, and their songs This impressive pedigree of work has placed Clive Barker in line with modern horror masters like Stephen King, who once called him " the future of horror." The author's unique and recognizable style, which mixes the fantastical with the terrifying, has made him a favorite of genre enthusiasts, while his prolific writing has accumulated a rich well of material for filmmakers to draw on.
QUICKSILVER HIGHWAY SERIES
Related: Books of Blood: Which Clive Barker Stories The Hulu Series Adapts He's also taken up the role of director on multiple occasions, most notably for the horror classic Hellraiser, which is an adaptation of his own novella, The Hellbound Heart. Barker's prominence in the world of horror cinema also allowed him to produce the Academy Award-winning James Whale biopic, Gods and Monsters. Besides this, Barker is also an accomplished visual artist who has illustrated his own book covers and sketchbook collections and even designed his own line of Halloween costumes. Barker is horror's premiere renaissance man, having written stage plays, screenplays, and video game scripts alongside novels and short stories.
0 kommentar(er)
